Tag Archives: Great Fire of St.John

Back to January 1877

academyofmusicphotoA few posts back I wrote about the horrific fire that destroyed not only the lovely  Academy of Music in St.John, New Brunswick, Canada but also 200 acres of that city. Along with many businesses, 1,612  homes were also burned to the ground.

The St. John fire occurred in  June 1877, but back in January of the same year, William Nannary’s acting company with Lizzie May Ulmer as a young ingenue were blissfully unaware of the horrors that six months would bring.

According to the Acadian Recorder dated January 9,1913, in January of 1877, Nannary’ acting company played for a nine week engagement. Productions listed were: The Clouds, New Men and Old Acres, Don Caesar De Bazan, My Mother-in-Law, Home, Caste, Ingomar, Under  the Gaslight, School, The King’s Rival, Inshavogue, Flying Scud, Camilla’s Husband, Pique, Shadow Brook, Streets of New York, Lady of Lyons, The Shaughbran, Rosedale, Saratoga, Colleen Bawn and many farces.

How many roles Lizzie May played within all of these performances is unknown but even if she had mere background roles in many of them, it is mind boggling  to think of the sheer volume of lines and marks she had to learn. As a stock actor she would be expected to learn over 100 parts, rehearse 2-3 plays per day, and within a season possibly have  40-100 different roles.  She would have been responsible for her own makeup and costumes and who knows what other tasks.

The life of a “celebrated” actor was no less rigorous. One famous actress of the day Charlotte Cushman, had over 200 roles in her repertoire making her a sought after commodity. To boost or even ensure a great box-office, many stock companies would bring in a well known star for a few performances. This “star” would bring in big crowds to the local stock theatre companies.

Even though the life of the traveling stock actor was by no means glamorous by today’s standards, compensation for this grueling life was actually fairly good by late 19th century standards. According to an essay on 19th century American theatre from the University of Washington:

Beginning actors’ salaries ranged from $3 to $6 per week; utility players’ salaries from $7 to $15 per week; “walking” ladies and gentlemen, $15 to $30; and lead actors were paid anywhere from $35 to $100 per week. Traveling stars could command $150 to $500 per 7- to 10-day engagement, plus one or more benefits. Except for the lowest ranks of actors, these salaries were good for this period, especially for women, even though they were paid less than men in comparable roles.

Lizzie May’s growing fame



Late 1876 through 1877 were tumultuous years for young Lizzie May. She had the pressures of a young wife and mother as well as the stresses of  traveling Atlantic Canada and New England with one of William Nannary’s theater companies .

Nannary dominated Atlantic Canadian theatre from 1873 to 1880. He promoted, helped sustain and, where it was lacking, attempted to provide a substantial theatrical presence, at one time paying salaries approaching $4,700 per week while employing over 100 people in various enterprises. 

While not an over night success, Lizzie’s fame was growing. She was  enough of a stand out to have had her portrait painted by the celebrated African-American painter Nelson A. Primus (1842-1916). This painting as seen above is currently on display at the Connecticut Historical Society in Hartford,CT.  The label on the back of the painting listed George T. Ulmer as the addressee. Did husband George commission the painting of his beloved Lizzie and if so how on earth could he afford such a luxury? Or had Lizzie somehow captured the attention of Primus himself? Perhaps Primus or a benefactor had spotted Lizzie in a performance? It is fun to speculate.

The Hartford Courant dated January 16,1877 reports;  

“Primus had completed a fine portrait of a little actress in Boston (Lizzie May Ulmer) and that it had received the highest praise from the critics of that city.” The painting of Lizzie May became one of Primus’ best known works.

Then by  1879 William Nannary’s successful run at the box office was slumping, tastes were changing. In July of 1880 he called it quits and emigrated with his family to America settling in San Francisco.

After an exhausting touring season and the terror of being caught up in the Great Fire of St. John, Lizzie and George needed a break. They left Canada returned to their beloved Boston.